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The Relic
Movie Reviews
Written by The Hitman   
Saturday, 31 August 2002 20:56

The Relic DVD Review

 

Written by Eric "The Hitman" Strauss

 

DVD released by Parmount

 

 

Directed by Peter Hyams
Written by Amy Holden Jones, John Raffo, Rick Jaffa & Amanda Silver
1997, Region 1 (NTSC), 109 minutes, Rated R

DVD released on April 20th, 2009


Starring:
Penelope Ann Miller as Dr. Margo Green
Tom Sizemore as Lt. Vincent D'Agosta
Linda Hunt as Dr. Ann Cuthbert
James Whitmore as Dr. Albert Frock

 

 

Review:

 

The Relic, based on the hit novel by Douglas Preston and Lincoln Childs, wants to be a thinking-man's horror film, with a touch of science, a touch of mystery and a touch of superstition. Does it succeed? Mostly — the film is certainly a thrill ride, but it is of the more common check-your-brain-at-the-door variety.

 

The film takes place at an unnamed natural history museum in Chicago (reportedly, the museum where filming took place refused to allow its name to be used). A scientist on an expedition to Brazil to study the ancient devil-god Kothoga has sent back a series of crates, which were supposed to arrive on a ship that turns up in Lake Michigan a derelict full of headless corpses. When another body appears at the museum, homicide detectives D'Agosta and Hollingsworth must track down the killer before he, she or it kills again.

 

Of course, the detectives and evolutionary biologist Margo Green get a lot more than they bargained for when they go hunting for a killer and seemingly find a devil-god instead. Meanwhile, the gala is on, mixing black tie with blood red.

 

 

The acting is solid throughout, with veteran supporting actor Tom Sizemore (Saving Private Ryan) shining as the superstitious veteran cop D'Agosta. Penelope Ann Miller (Kindergarten Cop) plays scared and frustrated better than she plays scientist, but she proves capable of handling both a lead role and the heavy action. Clayton Rohner (April Fool's Day) does a terrific job as the inexperienced Detective Hollingsworth and character actors Linda Hunt (also, coincidentally, in Kindergarten Cop) and James Whitmore (star of many Sci Fi flicks of the 50's).

 

The only particular disappointments in the cast list are human "villains" Chi Muoi Lo as Green's rival Greg Lee, and Thomas Ryan as museum security chief Parkinson. Lo's weak performance takes his slimy scientist past reprehensible and into "get this guy off screen" territory. Ryan, meanwhile, lets his bombast get in the way of any particular skill or character.

 

If The Relic fails to rise above standard science-fiction, the script is most likely to blame — four writers are credited, on top of the two authors of the source material, and none of them apparently could lift the film above its peers. Though there are several good lines and subtle touches, much of the plot follows a pedestrian "escape the monster" pattern. The scares are inconsistent, the kiss of death to any ambitious horror film, with some telegraphed and obvious but others genuinely surprising.

 

 

One of the film's strong points, however, is the direction of action movie veteran Peter Hyams, who has helmed such sci-fi hits as Outland and 2010, plus action films like Jean-Claude Van Damme vehicles Sudden Death and Timecop and Arnold Schwarzenegger's End of Days. He keeps the pace moving and films his setpieces beautifully, including the museum's eerie superstition exhibit and a basement maze that could confuse a minotaur.

 

The Kothoga creature crew, following the lead of effects wizard Stan Winston, produces inconsistent results — quite realistic-looking in some spots, then a bit fake-looking in others. The cringe-inducing gore is likewise inconsistent — some severed heads look grotesque while others look rubber.

 

A note for fans of the novel: The film glosses over several of the book's plot points, combines several characters and provides different fates for others. Put it this way: Based on who's left standing at the end, it won't be easy to film the sequel, "Reliquary."

 

 

Video and Audio:

 

The anamorphic widescreen image is a typically strong Paramount transfer. The picture is clear, but a bit soft. Colors and blacks are solid and the many, many dark scenes come through well, with little if any digital noise.

 

The Dolby Digital 5.1 mix is good, with regular use of the surrounds for music and effects, and a deep bass playing an important role. The dialogue is a little low compared to the effects, but that minor problem has the plus side effect of making the monster's loud roars shake the room even more.

 

Also included are English and French Dolby 2.0 tracks. There are no captions or subtitles.

 

 

Special Features:

 

As with many Paramount DVDs, particularly the earlier ones, "The Relic" contains only a theatrical trailer, in a widescreen ratio of approx. 1.66:1.

 

 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/threeandahalfstars.gif – A solid but flawed film benefits from strong direction and acting.
Video: http://www.horrortalk.com/Assets/fourandahalfstars.gif – A strong transfer.
Audio: – A good mix, though few strong effects (except that roar).
Features: http://www.horrortalk.com/Assets/halfastar.gif – Better than nothing, but just barely.
Overall: http://www.horrortalk.com/Assets/threestars.gif – This movie-only disc is typical Paramount, which may disappoint fans.

 

 

Conclusion:

 

The Relic is an enjoyable "modern B" movie, with strong acting and solid action, though some obvious flaws in the script. The disc is likewise solid, but flawed, with the most important parts — the picture and sound — right on the money, but with a lack of features that will disappoint anyone looking for any insight into the film.

 

 

 

 

(Reviewed in May 2002 on a Panasonic 27" TV with a Sony DVP-CX850D DVD player and Bose Lifestyle 25 Series II speakers.)

 

Want to comment on this review? Head over to the Horrortalk Review Forum.

 

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That Little Monster
Movie Reviews
Written by Peter West   
Saturday, 17 August 2002 21:57

That Little Monster DVD Review

 

Review written by This e-mail address is being protected from spambots. You need JavaScript enabled to view it "Danger Seeker."

 

DVD released by Elite Entertainment

 

 

 

Written and directed by Paul Bunnell

1994, Region 1 (NTSC), 56 minutes, Not rated

DVD released on July 30th, 2002

 

Starring:

Melissa Baum as Jamie
Reggie Bannister as Twelvetrees
Andi Wenning as Mrs. Willock
William Mills (II) as Mr. Willock
Forrest J Ackerman as Edward Van Groan

 


 

 

 

Movie:

 

That Little Monster is a gem of a movie that can easily escape one's attention. Thanks to Elite Entertainment, this movie will get the broader recognition it deserves. Set in a futuristic, retro 50's world far away, Jamie (a foreign exchange student, smartly played by Mellisa Baum) is hired to baby sit "Baby Wolper." After we are warned by horror movie legend Forrest J. Ackerman (long time editor and publisher of Famous Monsters of Filmland), that there were "No babies harmed in any way during the filming of this movie", we meet Jamie waiting to be interviewed by Mr. & Mrs. Wilcock, the baby's parents. Jamie is initially entertained by the Willcocks' resident standup comedian Twevetrees (an entertaining portrayal by Reggie Bannister of Phantasm fame). The Willcocks' seem a bit concerned about whether Jamie will be able to handle the young Wolper since although he is cute and cuddly, he's "a little monster." They rephrase that as being spoiled.

 

 

 

 

 

The Willcocks' then leave for a costume party, but not before Mr. Willcock serenades young Jamie. Adorable young Jamie is warned by Twevetrees to watch her back as he departs for the evening, leaving Jamie alone with baby Wolper. Jamie then explores this home, which has some of the gaudiest of furnishings! Director Paul Bunnell uses his own vintage 1956 B&W television as a prop on which Jamie watches a very old Bob Hope movie. Jamie's attempt to give Wolper his bedtime bottle soon leads to a evening of terror, concluding with Wolper's only speaking line: "E.T. go home!" In the film's credits, Bob Hope does a cameo with a few promotional one liners. (This film is filled with little homages to Bob Hope.)

 

 

 

 

Filmed over a period of 3 1/2 years on the most modest of budgets ($30,000), That Little Monster was initially conceived as an episode for the television series "Monsters". However, the death of the series producer led to that project being scrapped. Director Paul Bunnell, sure that his concept was worthy of presentation, then proceeded to make That Little Monster into a 56 minute short film. That Little Monster does not overwhelm the viewer with plot. Instead, it assaults your senses! Bunnell's directorial style is a portrait of stunning visualizations. The long delays between filming have the star, Mellisa Baum, with long, short, blonde or dark hair at times. This is hardly noticeable unless mentioned. You can't even notice scenes where Mellisa is quite pregnant!

 

 

 

 

Video and Audio:

 

Filmed on 16mm film in a full frame presentation, the movie is surprisingly free of noticeable flaws. What might be considered grainy is actually the way the image is supposed to be presented. Some scenes have this foggy mist about them, followed by another that is as sharp as can be! The lighting is extraordinary considering the resources available for a film of this small budget. Craig Bassuk's photographic genius is quite apparent!

 

I am presuming the soundtrack is mono, it is a smorgasbord of different themes. At times it is thrilling other times comedical! A lack of 5.1 surround does this film no injustice, very entertaining overall!

 


 

 

 

Special Features:

 

There is a very interesting commentary by Director Paul Bunnell and Editor/Producer Carl Mastromario. The commentary is light-hearted and well worth a listen! It provides a history of the project as well as behind the scenes information on sequences and filming.

 

Included is a 19 minute short film by Bunnell called The Visitant. After the death of his son, a man is haunted by the undead while visiting his son's grave. Slightly showing some deterioration from age, this short film is a excellent glimpse into Bunnell's early filmmaking.

 

There is also a sort television interview with Paul Bunnell, where we get to see a little bit of man behind the film. Bunnell is some character!

 


 


Grades:

 

Movie: http://www.horrortalk.com/Assets/fivestars.gif
Video: http://www.horrortalk.com/Assets/fourstars.gif
Audio: http://www.horrortalk.com/Assets/fourstars.gif
Features: http://www.horrortalk.com/Assets/fourstars.gif
Overall: http://www.horrortalk.com/Assets/fourstars.gif

 

 

 

 

Conclusion:

 

Prior to writing this review I watched this movie a half-dozen times at least. Each time I spot something missed in a previous viewing. Bunnell & Bassuk overwhelm your visual senses! A throwback to the B&W suspense thrillers of the late '50s and early '60s That Little Monster is the winner of the Golden Scroll Award for Outstanding Achievement from the Academy of Science Fiction, Fantasy, and Horror Films. I'm confident this film will win a place in your hearts as well! A must buy with a high viewer recommendation!

 

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Lifeforce
Movie Reviews
Written by The Hitman   
Saturday, 10 August 2002 16:32

Lifeforce DVD Review


  Written by Eric "The Hitman" Strauss

 

 DVD released by MGM Home Entertainment

 


Directed by Tobe Hooper
Written by Dan O'Bannon and Don Jakoby (based on the novel "The Space Vampires" by Colin Wilson)
1985, Region 1 (NTSC), 116 minutes, Rated R
DVD released on May 27th, 1998

Starring:
Steve Railsback as Carlsen
Peter Firth as Caine
Frank Finlay as Fallada
Nicholas Ball as Derebridge
Mathilda May as Space Girl

 

 

Review:

 

Many horror fans believe director Tobe Hooper did nothing of note after his seminal The Texas Chain Saw Massacre and the Steven Spielberg-influenced Poltergeist. But the science-fiction/horror film Lifeforce may be the exception to that rule. The film is one part Alien-esque science fiction, one part supernatural thriller and one part Dawn of the Dead, with the story progressing from outer space to the heart of London.

 

The film begins with the space shuttle Churchill on a mission to explore Halley's Comet on one of its rare visits to the solar system. But the crew of the Churchill finds more than it bargained for when it finds a giant spacecraft hidden in the comet's corona. Col. Carlsen, the commander of the mission, leads a team into the spacecraft, where they find two types of creatures: large bat-like ones, and three perfectly preserved, seemingly human ones.

 

Once the humanoids make their way back to Earth, all hell breaks loose as they prove to be life force-draining "vampires" — and it is up to Carlsen and the British government to track them down across England, and then stop them before they can destroy London and claim its souls for their own purposes.

 

 

The acting is strong, with Steve Railsback (The Stunt Man) and Peter Firth (Chill Factor) effective as the tormented Col. Carlsen and the enigmatic SAS Col. Caine, respectively. Railsback is somewhat over the top, but that style plays well against Firth's understated performance. The two colonels are aided on their quest by a pair of eccentric scientists, the death aficionado Fallada (Frank Finlay, Cthulhu Mansion) and the weary Bukofsky (Michael Gothard, The Devils of Loudon) — who spends most of film suffering after a too-close encounter with one of the vampires — as well as Britain's Home Secretary (Aubrey Morris, A Clockwork Orange) and a few others.

 

(Trekkies, watch for "The Next Generation's" Capt. Picard, Patrick Stewart, in a small but memorable role.)

 

But what is undoubtedly the film's most memorable performance, and the one that probably has elevated this film to its minor cult status, is that of then-newcomer Mathilda May as the "Space Girl," the leader of the vampire creatures. What is it about the lovely May (The Jackal) that makes her performance stand out? The French actress spends most of her on-screen time naked. Stark naked. Fortunately, she is either comfortable with her body or able to hide any awkwardness well, and turns in a fine performance , beyond just being a pretty face (and more).

 

 

The film dates to 1985, and while the effects don't show the CGI polish of the current era, they are good, handling bat-aliens, drained corpses and vampire-zombies with equal aplomb. The low budget shows in places, but only to those paying close attention.

 

Overall, the script mixes the film's multiple genres well if a few plot holes can be overlooked, and Hooper's direction keeps the tension high. Throw in the actors' sturdy performances, and the result is a solid feature well worth a look if you enjoy your horror with a healthy dose of science fiction.

 

(Note that the disc contains quite a bit of additional footage not seen in the American theatrical release, but never feels padded as some "director's cut"-type discs do.)

 

Video and Audio:

 

Lifeforce is shown in non-anamorphic widescreen with a ratio of about 2.35:1. The image and colors are quite soft, but the picture generally is clear. The film, more than 10 years old when the DVD was released, suffers from some print damage and grain, and there are occasional bits of digital artifacting. Still, the video is solid enough to bring out the necessary details in the many dark scenes, and certainly superior to VHS/television quality.

 

 

 

The Dolby 5.1 track is likewise unexceptional, with the voices and music mostly coming from the front speakers and the rear surrounds mostly used for effects.

 

The mix also suffers from low dialogue — if the speaking voices are at an audible level during conversational scenes, the effects and music often drown them out when the action kicks in (often suddenly).

 

There are English, French and Spanish subtitles.

 

 

Special Features:

 

The only extra, besides the additional footage integrated into the film, is an unexceptional theatrical trailer in 2.35:1 widescreen. This disc was released back when MGM included an 8-page booklet full of liner notes with its DVDs, and that booklet is the only other real extra.

 

 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/threeandahalfstars.gif – Hardly a mainstream film, but an enjoyable one.
Video: http://www.horrortalk.com/Assets/threestars.gif – Nothing special, but it does the job.
Audio: http://www.horrortalk.com/Assets/twoandahalfstars.gif – Unexceptional use of the 5.1, and somewhat frustrating in its volume mix.
Features: http://www.horrortalk.com/Assets/halfastar.gif – Essentially a bare-bones disc.
Overall: http://www.horrortalk.com/Assets/twoandahalfstars.gif – A minor cult favorite and an enjoyable two hours.

 

Conclusion:

 

Lifeforce is a worthy entry in the sci-fi/horror canon, but the DVD is a bit lacking in its audio/video presentation, as well as the extras department. The film has a few flaws, but it is an eerie, exciting romp that deserves to be known for more than the nudity of its female lead.

 

 

 

(Reviewed in July 2002 on a Panasonic 27" TV with a Sony DVP-CX850D DVD player and Bose Lifestyle 25 Series II speakers.)

 

Want to comment on this review? Head over to the Horrortalk Review Forum.


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Dark City
Movie Reviews
Written by The Hitman   
Friday, 26 July 2002 02:19

Dark City DVD Review

 

Written by Eric "The Hitman" Strauss

 

DVD released by New Line

 


Directed by Alex Proyas
Written by Alex Proyas and Lem Dobbs and David S. Goyer
1998, Region 1 (NTSC), 96 minutes, Rated R
DVD released on July 29th, 1998

Starring:
Rufus Sewell as John Murdoch
Kiefer Sutherland as Dr. Daniel Schreber
Jennifer Connelly as Emma Murdoch
Richard O'Brien as Mr. Hand
Ian Richardson as Mr. Book
William Hurt as Inspector Frank Bumstead

 

Review:

 

Dark City is difficult to describe. It is a film full of stunning images set against a surreal noir backdrop, but it is more than a pretty picture — it is a dark fable filled with mystery, as a man trying to find his identity discovers there is more to his world than meets the eye. He awakens in a hotel room with a dead hooker and no memory, and as he pieces together his life, he finds himself at odds with his past and the gloomy city around him.

 

And then there is the matter of the mysterious "strangers" pursuing him, not just for a murder, but for some more sinister reason.

 

Alex Proyas, best known for directing The Crow, uses the same dark palette and striking imagery to tell this science-fiction tale, and his visuals truly shine — if anything in the city does - as the true star of the film. The titular city is a world gone mad, and Proyas' visuals reflect the sense of foreboding felt by the out-of-place hero. Everywhere, buildings and shadows loom and the atmosphere is so heavy it can practically be touched.

 

 

Proyas gets strong acting from an experienced cast. Rufus Sewell (A Knight's Tale) was a virtual unknown, but he was a veteran of the British stage and acquits himself nicely, despite a few occasions when his character's bland accent is betrayed by its actor's English roots. William Hurt (Lost in Space) gives the sturdy Inspector Bumstead a subtle depth of character while the always-lovely Jennifer Connelly (an Oscar-winner for A Beautiful Mind) is set up to leave a striking impression with her looks.

 

The one possible sour note is Kiefer Sutherland (A Few Good Men), who gives a performance designed to frustrate as Dr. Daniel Schreber, who helps the "strangers" and knows more than he lets on. Sutherland is a talented actor, but Schreber's rasping, winded voice can be hard to understand at crucial times.

 

What sets Dark City apart is the completeness of its atmosphere. Much of the city looks like something out of a 1940s nightmare, and what takes it beyond that is the idea that, when it feels like the walls are closing in, for the amnesiac hero, they really are. And that psychological element is the crux of the disquieting aspect of the film - this is science-fiction with the creepiest of edges, personified by the pale, menacing "strangers" in their black coats and with their cruel knives.

 

 

To give away too much of the plot would detract from the film's other strong suit — its mystery. As the hero struggles to find out who is really is, he begins to unravel the city's secrets, and his own — trying to answer the riddles of the "strangers" and their "tuning" power, and why everyone in the city falls asleep at once, except him.

 

Dark City disappointed at the box office — maybe not a surprise given its thought-provoking and at times difficult storyline — but it is an underrated jewel that already has attracted a cult following. That growing fan base is understandable, as this is a film that must be seen to be truly enjoyed and appreciated, and one that impresses more and more with each repeated viewing.

 

 

Video and Audio:

 

The widescreen video holds up well under the burden of Dark City's many magnificent visuals. The film is extremely heavy on the dark colors and blacks, and for the most part the non-anamorphic transfer holds up very well. Only a few scenes toward the end fall victim to digital noise despite 90% of the film taking place in the gloom and mist that pervade the city.

 

The few bright scenes are handled well, reflecting the film's bold colors and bright lights.

 

There is also a full-screen version available on the flip side of the dual-side/single-layer disc.

 

 

The 5.1 surround is solid but unexceptional. The film lacks any "showoff" scenes as far as the soundtrack is concerned, but the mix does well with what there is. Voices are strong, particularly important given Sutherland's rasping Dr. Schreber, Connolly's husky singing and Sewell's and Hurt's low-key vocals. In many ways, the mix is unmemorable — but that can be a good thing, as the audio never takes away from the imagery on screen.

 

There is also a French Dolby 5.1 track. English, French and Spanish subtitles are available.

 

 

Special Features:

 

The highlight extra is an audio commentary by film critic Roger Ebert. Love him or hate him, what cannot be disputed is that he is one of America's best-known and most influential critics. And his participation is hardly an everyday occurrence. Over the course of DVD's short history, Ebert has recorded commentary tracks for exactly two films: Dark City and Citizen Kane. So without even hearing a word, it is obvious that he holds the film (his first commentary) in high regard.

 

The filmmaker's commentary gets second billing to Ebert's, with participants including director Alex Proyas, writers Lem Dobbs and David Goyer, director of photography Dariusz Wolski and production designer Patrick Tatopoulos. This commentary is more technical and, despite plenty of interesting information, not nearly as engaging as Ebert's. It also suffers from too many voices (apparently recorded separately and edited together), making for some confusion despite Ebert being there to identify participants.

 

The other extras are less impressive. One highlight for those who love the film's imagery is the too-brief gallery of sketches of various characters, costumes, scenes and other ideas. Several are quite beautiful, as could be expected, but the gallery on the whole disappoints in its brevity.

 

 

There also are two text-only essay sections, one called "The Metropolis Comparison" and the other by comic book artist Neil Gaiman. The Metropolis essay, broken down into three parts, is a summary of the 1920s film and excerpts from a pair of quite critical reviews. The point of this is hard to determine — apparently readers must make their own comparison — but one guess is that this is a kind of response to Dark City's failure to find much box-office success, a sort of "See, this imaginative film waivers."

 

In the "standard extras" vein, the film's theatrical trailer is shown in a widescreen ratio of approx. 1.66:1. The trailer is a nice one, which doesn't tell much about the film, but certainly captures its imagery and tone.

 

Cast and crew biographies and filmographies also are included.

 

 

The last extra is the strange "To Shell Beach" game, which has to be one of the most frustrating and pointless add-ons around. Players must click through a few pictures that are far too wide-spread among the various menus, and the reward is an odd little animated-type sequence that lasts only a few seconds.

 

One disappointment of note is that many of the text-based extras contain typos and grammatical errors. While a mistake here and there is no doubt unavoidable, the sheer number detracts somewhat from the level of professionalism and polish on an otherwise terrific disc.

 

 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/fivestars.gif – A marvel of visual achievement with an atmosphere to match its picture.
Video: http://www.horrortalk.com/Assets/fourandahalfstars.gif – Top-notch transfer marred by a few late flaws and a lack of anamorphic capability.
Audio: http://www.horrortalk.com/Assets/fourstars.gif – The film offers little chance to show off sound systems, but the 5.1 track is more than capable.
Features: http://www.horrortalk.com/Assets/fourandahalfstars.gif –Two commentaries truly make this a "special edition" disc, but the rest of the extras are throwaways.
Overall: http://www.horrortalk.com/Assets/fourandahalfstars.gif – A haunting film that uses DVD's capabilities to showcase its beauty.

 

Conclusion:

 

Dark City is a vastly underrated film and a true feast for the eyes. The DVD, one of the earlier New Line efforts, provides the most important feature for any film, and particularly this one: Strong video and outstanding audio. The two commentaries are icing on the cake for fans and make this disc a worthy member of the "Platinum Series" family.

 

 

(Reviewed in June/July 2002 on a Panasonic 27" TV with a Sony DVP-CX850D DVD player and Bose Lifestyle 25 Series II speakers.)

 

Want to comment on this review? Head over to the Horrortalk Review Forum.

 


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The Image
Movie Reviews
Written by Peter West   
Sunday, 14 July 2002 21:03

The Image (aka The Punishment of Anne) DVD

 

Written by This e-mail address is being protected from spambots. You need JavaScript enabled to view it "Danger Seeker"

 

DVD released by Synapse Films

 

 

Directed by Radley Metzger

Written by Jake Barnes (screenplay) and Catherine Robbe-Grillet (novel)

1975, Region 1 (NTSC), 94 minutes, Unrated

DVD released on June 25th, 2002

 

Starring:
Mary Mendum as Anne
Carl Parker as Jean
Marilyn Roberts as Claire

 

 

Movie:

 

Interestingly told as a recollection of past events by Jean, the male lead: Jean has just completed a short story, is finally able to socialize again and attends a literary party. Jean runs into his old friend Claire, never sexually interested in Claire he is fascinated by her friend Anne. Claire explains that Anne belongs to her and invites Jean for drinks after the party. It soon becomes clear that Claire dominates Anne, and Anne enjoys the domination. Intrigued at first, Jean finds himself getting deeper and deeper into becoming part of the Sado-Masochistic relationship these two women enjoy. Exhibtionism, punishment, and humilation all weave together in this extremely erotic tale! The question arises is Jean a partner or pawn in this relationship?

 

 

Review:

 

Prior to watching this movie I had heard comments that it was merely pornography with a plot. That is far from the truth! This is a interesting story and touches on serious human sexual behavior. I found it intriguing! There are some very graphic sexual scenes, but are they pornography? I think not, but if you're over 18 you decide! I highly recommend this film!


 

Video and Audio:

 

Incredible is too mild a word for a film of this age to look so good on DVD. The DVD was digitally mastered from the original camera negative from the director's archives! Synapse lives up to their reputation of the finest quality film presentation possible. There are only a few seconds here or there where there is damage or blemishes. Overall it is absolutely marvelous!

 

There are three audio tracks, one the original mono, a remasterd Dolby Digital 2.0 stereo track, and the isolated music score. I listened to the stereo and found it free of distortion or defects.

 

 

Special Features:

 

The isolated musical score, the director's filmography, and a four page insert are the extras for this DVD. Sorry, there's no trailer. But, if one existed Synapse would have included it! The four page insert with liner notes by Stephen R. Bissette is very interesting reading. The isolated score is nice background music!

 

 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/fourandahalfstars.gif
Video: http://www.horrortalk.com/Assets/fivestars.gif
Audio:
Features:
Overall: http://www.horrortalk.com/Assets/fourandahalfstars.gif

 

Want to comment on this review? Head over to the Horrortalk Review Forum.

 



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Invasion U.S.A. (50th Anniversary Special Edition)
Movie Reviews
Written by Peter West   
Saturday, 29 June 2002 19:06

Invasion U.S.A. (50th Anniversary Special Edition) DVD Review

 

Written by This e-mail address is being protected from spambots. You need JavaScript enabled to view it "Danger Seeker"

 

DVD released by Synapse Films

 

 

Directed by Alfred E. Green

Written by Franz Schulz

1952, Region 1 (NTSC), 74 minutes, Not rated

DVD released on May 7th, 2002

 

Starring:

Gerald Mohr as Newscaster Vince Potter
Peggie Castle as Carla Sanford
Erik Blythe as Ed Mulfory
Robert Bice as George Sylvester
Tom Kennedy as Tim, the bartender
Wade Crosby as Congressman Arthur V. Harroway
Dan O'Herlihy as Mr. Ohman
Knox Manning as Newscaster Knox Manning
Aram Katcher as Factory Window Washer - Spy
Noel Neill as Second Airline Ticket Agent
Phyllis Coates as Mrs. Mulfory

 

 

Movie:

 

Newscaster Vince Potter (Gerald Mohr) visits a local bar and starts interviewing patrons about their views on the country starting a universal draft. Options then drift into subjects that we even complain about today, such as taxes & government controls. A patron who happens to be a congressman changes the subject to communism and at the end of the bar, Mr. Ohman (Dan O'Herlihy) mesmerizes the rest of them as he talks about what kind of will it takes to win the war against communism. Ohman slips out of the bar (skipping his tab) and the patrons snap back into reality as the television announces the United States is being attacked on the West coast!

 

The movie continues as the unfolding events effect each patron. The unnamed enemy (strongly hinted at being Russian, but looking and sounding more like Nazi officers) plot their further attacks and foreign troop and A-bombs rain on the U.S.A. Is America prepared enough to fight off these invaders? Or, will the U.S.A. be overrun by the attackers? Major cities and notable landmarks like Boulder Dam (now Hoover Dam) are destroyed as the enemy attacks relentlessly!

 

A neatly written plot, interweaved with stock footage from W.W. II and nuclear testing keep this movie fast paced as the worse case scenario of the '50s come to life!

 

 

The cast of this movie are a 'who's who' of actors and actresses. Gerald Mohr (The Angry Red Planet and many more) who plays a "poor man's Humphrey Bogart" (or is that a rich man's Peter West?) has all the witty lines and gets the girl Peggie Castle (Beginning of the End). William Schallert ("The Patty Duke Show") has a small role as a newscaster, and Dan O'Herlihy's (Robocop, Halloween III) brief appearance as Mr. Ohman steals the show. In bit roles are Phyllis Coates and Noel Neill who both played Lois Lane in the Superman TV series.

 


Review:

 

Some younger people a year ago would have found the premise of this movie implausible! I myself grew up with "Duck and Cover", civil defense plans, and the Cuban missle crisis. September 11th we found out that America can be attacked at home. This movie, although a cautionary fable of the '50s, can make us think twice. Nuclear attack could happen!

 

I really enjoyed the package Synapse Films put together on this DVD. I give it the "Peter West Seal of Approval." Not just for nostalgia, but now for relevance!

 

 

Video and Audio:

 

Synapse has done a wonderful windowboxed transfer of this film! The scenes shot for the film itself are spectacular, some of the stock footage intermingled looks to have been damaged even when Invasion U.S.A. first ran in 1952. However, the drawbacks of the stock footage do not detract from the overall viewing enjoyment of the movie. The short feature "Red Nightmare" is full frame and absolutely gorgeous! It is almost entirely free from defects. I'll preface this rating by saying with what was used this is the best it will ever be.

 

The film is presented in Dobly Digital Mono, excellent for it's time, though not as spectacular by today's standards. It is crisp and clear, free of distortion or pops. It does the job!

 

 

Special Features:

 

  • SPECIAL ATOMIC AUDIO FEATURE: Two Amazing Original Civil Defense Department Audio Recordings on the Alternate DVD Audio Tracks: THE COMPLACENT AMERICANS & IF THE BOMB FALLS - A Recorded Guide to Survival. Listen Closely to Learn HOW TO SURVIVE A NUCLEAR ATTACK!
  • 1956 Re-Issue Theatrical Trailer
  • The Original Controversial "Red Scare" Short Film, RED NIGHTMARE, Starring Jack Webb!
  • CONELRAD 100: Film Encyclopedia of the Top 100 Best Atomic Films Ever Made
  • New Video Interviews with Stars Dan O'Herlihy, William Schallert and Noel Neill, Made Specifically for this DVD Release.

 

This is where this Synapse Film's DVD shines! The short "Red Nightmare" is about a man who takes his liberties for granted and wakes up one day with most of them gone! Controversial then and now (it was done under the personal supervision of Jack Warner and narrated by Jack Webb.) This will make you think twice!

 

There are interviews with three of the surviving cast members recounting memories of the filming and comments on it's impact.

 

Something really special that's thrown in is on the alternate audio tracks. These are the real thing, warnings to America to keep alert and instructions on surviving a nuclear atack!

 

My rating on the extras 5/5.

 


Grades:

 

 
Movie:
Video:
Audio:
Features: http://www.horrortalk.com/Assets/fivestars.gif
Overall:

 

 

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Silver Bullet
Movie Reviews
Written by Peter West   
Thursday, 30 May 2002 02:41

Silver Bullet DVD Review

 

Written by Peter West " This e-mail address is being protected from spambots. You need JavaScript enabled to view it "

 

DVD released by Paramount

 

 

Directed by Daniel Attias

Written by Stephen King

1985, Region 1 (NTSC), 95 minutes, Rated R

DVD released on May 28th, 2002

 

 

Starring:
Gary Busey as Uncle Red
Everett McGill as Reverend Lowe
Corey Haim as Marty Coslaw
Megan Follows as Jane Coslaw
Robin Groves as Nan Coslaw
Leon Russom as Bob Coslaw
Terry O'Quinn as Sheriff Joe Haller

 

 

Movie:

 

Based on the Stephen King novella "Cycle of the Werewolf", Silver Bullet was one of many King adaptations to the screen during the 1980s. Set in the town of Tarker's Mills, Maine (what King story is not set in Maine?), the death of a rail worker who also happened to be the town drunk begins a series of killings terrorizing the poor townsfolk. The story is initially told from the point of view of Jane Coslaw, a young teenage girl saddled with the responsibilty of assisting her brother Marty who is confined to a wheelchair.

 

 

As the death toll mounts, tensions in the town increase between the frightened citizens and the town's sheriff. Townspeople attempt to rid the town of the killer with disasterous results. A side story is that of Marty and his Uncle Red, a alcoholic whose relationships are strained with everybody but Marty. The Silver Bullet is actually the name of Marty's motorized wheelchair, which eventually is replaced by Uncle Red with one right out of a dragstrip! Soon in the story Marty decides to go on the trail of the killer, who knows Marty is after him as well.

 

 

Review:

 

I liked this movie! Sure there was a lot of so-so movies released from King's stories. This one is strictly a classic werewolf tale. It's uncomplicated, old fashioned, horror fun! I'm disappointed that a trailer is not included, but this movie really doesn't need a ton of extras. If the retail price of $24.95 is too steep, make sure you at least rent this one!


 

 

Video and Audio:

 

The movie is presented in a anamorphic widescreen 2.35.1 ratio. Paramount has done a beautiful job on the transfer. I had seen the movie years ago on VHS and did not enjoy it nearly as much. My rating 4/5

 

The soundtrack is Dolby Digital mono, nothing spectacular, but very nice! My rating 3/5

 

 

Special Features:

 

A French soundtrack and English subtitles. No trailer included! My rating 1/5

 

 

 

 

 

(Films that Peter West reviews are viewed on a Mitsubishi WS-55413 HDTV and listened to on a THX certified Pioneer Elite VSX-55TXi A/V Receiver through a 7.1 setup of JBL Northridge E series Speakers.)

 

Want to comment on this review? Head over to the Horrortalk Review Forum.

 

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Vampyres
Movie Reviews
Written by Peter West   
Sunday, 12 May 2002 21:00

Vampyres DVD Review

 

Reviewed by This e-mail address is being protected from spambots. You need JavaScript enabled to view it "Danger Seeker"

 

DVD released by Anchor Bay Entertainment

 

 

Directed by José Ramón Larraz

Written by D. Daubeney (actually José Ramón Larraz wrote it using his wife's name)

1974, Region 1 (NTSC), 87 minutes, Rated R

DVD released on May 9th, 2000

 

Starring:
Marianne Morris as Fran
Anulka Dziubinska as Miriam
Murray Brown as Ted
Brian Deacon as John
Sally Faulkner as Harriet

 

Movie:

 

Vampyres opens in scene where it looks like a ending. Two beautiful girls (Fran & Miriam) in bed making love and a intruder arrives and shoots the two of them. We next find Ted (the hero or the victim?) checking into a hotel in a small English village. The Innkeeper claims to know him, however Ted denies ever being in the village previously. We next shift to John and Harriet, a typical married couple on holiday. John to fish, and Harriet to paint. Harriet notices a female hitchhiker on the road and becomes disturbed by her. She also sees another girl hiding behind a tree.

 

 

Ted winds up picking up Fran at the side of the road and gives her a ride home to what looks to be a mansion in ruin. The old house is falling apart with the exception of Fran's living quarters. They imbibe on fine wine and make love. When Ted awakes he is physically drained and he has a nasty wound on his arm. He thinks it was caused by a broken wine glass. He seeks first aid at the trailer of John and Harriet who have setup camping nearing the old house. Harriet's questioning of Ted leaves her with even more questions about the activities of the two young ladies she spied earlier.

 

 

Fran and Miriam continue to seek men at the side of the road, killing them and feasting on their blood. But for some reason Fran cannot bring herself to kill Ted, who is getting weaker and weaker and drawn deeper into the madness these beautiful women are causing. Harriet on the other hand is getting too nosey in the the affairs of these two women. Will Ted survive? Will Harriet's curiosity cause her doom? The ending of this movie brings a answer to these intriguing questions.

 

 

Video and Audio:

 

Absolutely incredible! If only The Godfather had a transfer this good! Even though this movie is 28 years old, it looks like it could have been filmed yesterday. I think you'll find the quality of the screen shots reflects this. I did not notice any damage or color problems. Anchor Bay really sets the standard for other companies to live up to with this one!

 

 

A little note about the scenery. The house used for the film was a common staple in Hammer films of the 60's and 70's. It is now a luxury hotel, restored to the beauty it deserved. This movie is in a anamorphic presentation and is as enjoyable today to watch as the intial showings must have been.

 

 

The movie is presented in Dolby Digital Mono. José Ramón Larraz used some unique sounds to add to the erie nature of the scenes in the basement of the old house (he claims many have stolen them for later movies). I found it to really add to the classic suspense tracks interwoven throughout the film. The music is clear and crisp. Overall a great track for it's times.

 

 

Special Features:

 

This DVD comes with two trailers: An International and US one. What I found surprising is the American one was far more explicit than the International. There is a great still gallery of shots (I have have included one on this page) of scenes from the movies capitalizing on the erotic tones and shocking violence.

 

 

The biggest surprise of the entire movie is the audio commentary. Director Joseph Larraz and Producer Brian Smedley-Aston not only go over the beginings of the project details, but Joseph Larraz steal the show with his humourous recollections.

 

 

Larraz claims censors would not allow any shots of the two girls french kissing or showing any pubic hair, then as we get into the later portions of the film, low and behold the shots you see above and below. "Oh my god, there is Anuka's Pussy!" Larraz exclaims. He then talks about how his private copy of the film has been sanitized by the Vatican.

 

 

I expected nothing with this commentary and was shocked really how enjoyable it was. I had heard of Larraz and had seen The House that Vanished, his only other movie to get major screenings in the U.S.. I did not know what a entertainer this man is. Why he does not make movies now is our loss.

 

 

Conclusion:

 

This movie has everything a red blooded horror fan could ask for: Lesbian vampires, gratuitous nudity, excellent gore (especially for it's time) and a intriguing plot to boot! I've watched this about 5 times to prepare this review and enjoyed every viewing

 

 

 

Every time I see a classic of this genre it really makes me appreciate how lucky I was to grow up during a time when movies did not have to have a HUGE Hollywood budget to get shown, and every weekend you could go to the local Drive-In and watch a triple feature for a few bucks.

 

 

 

This is going to be a favorite of mine for many years to come. I do hope this review inspires you to purchase this gem. You will not regret it! Now for you real fans of gratuitous nudity I have a gift for you. ENJOY!

 

 

 

 

Grades:

Movie – http://www.horrortalk.com/Assets/fourstars.gif
Video – http://www.horrortalk.com/Assets/fivestars.gif
Audio – http://www.horrortalk.com/Assets/fourstars.gif
Features – http://www.horrortalk.com/Assets/fivestars.gif
Overall – http://www.horrortalk.com/Assets/fourandahalfstars.gif

 

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Pitch Black
Movie Reviews
Written by The Hitman   
Sunday, 05 May 2002 22:02

Pitch Black DVD Review

 

Written by Eric "The Hitman" Strauss

 

 DVD released by Universal Studios

 

 

 

Directed by David Twohy
Written by Jim & Ken Wheat and David Twohy
2000, Region 1 (NTSC), 112 minutes, Unrated

DVD released on October 24th, 2000

 

Starring:
Vin Diesel as Riddick
Radha Mitchell as Fry
Cole Hauser as Johns
Keith David as Imam

 

 

Review:

 

David Twohy's underrated film The Arrival was a thought-provoking, well-acted science-fiction piece about aliens trying to take over (and terraform) the Earth. His next effort, Pitch Black, turns the emphasis from science to action and horror, and succeeds wonderfully as a nonstop thrill ride, showcasing up-and-coming star Vin Diesel as the anti-hero Richard Riddick.

 

The action gets under way from the very beginning, as the transport ship carrying serial killer Riddick (among others) blunders into interstellar debris, crashing out of its shipping lane and onto a remote, desolate planet. While most of the passengers and crew are killed in the crash, the handful of survivors face the challenge of finding their way off the planet under the heat of its three suns. But when the suns go down, they find there are worse things in the dark than a serial killer.

 

Radha Mitchell (High Art, Ally Sheedy's comeback film) plays the surviving crew member, the pilot Fry, as the emotional core of the film. She is the "everywoman" learning to do the right thing and save not just her life but the lives of her charges. The polar opposites around her core are the spectacular Diesel (Saving Private Ryan) as Riddick and Cole Hauser (Higher Learning) as Riddick's captor, the "blue-eyed devil" Johns, armed with good looks, a shotgun and a couple of secrets.

 

While Mitchell and Hauser are both talented, charismatic actors who turn in fine performances, it is Vin Diesel who is the centerpiece of the film, and he is magnificent. His performance showed he could be a leading man, and pushed him from indie films and supporting roles into leads in movies like The Fast and the Furious. He oozes style and charisma, and while both his acting and his part are a shade one-dimensional, he offers just enough nuance to nail the part.

 

The supporting cast is very strong, featuring Keith David (The Thing) as the spiritual Imam on his way to New Mecca, Lewis Fitz-Gerald (Breaker Morant) as the proper antiquities dealer Paris, Rhiana Griffith as runaway Jack and Claudia Black (TV's "Farscape") as the tough prospector Shazza. Their characters have a minimum of depth, but the acting is superb.

 

The run-and-gun plot is simplicity itself. The nine crash survivors explore the planet, uncovering some of its many secrets - and finding their salvation: an abandoned shuttle that can get them off the planet. But when everything goes dark, out from beneath the surface of the planet come (mostly CGI) monsters that best can be described as flying mouths with rams for heads. The crash survivors, pinned at their wreck by the onslaught, must trek across the desert in the dark, holding the bloodthirsty creatures at bay, to reach their ride home.

 

The "gimmick" to the film is that the ex-con Riddick had a "surgical shine job" done on his eyes, meaning he can see in the dark. Thus, when the longest night falls, it falls to him to help lead the survivors to safety. But can they trust this walking lethal weapon, or each other?

 

Note the Unrated Director's Cut contains footage not scene in theaters, but most of the additions are of a plot/character nature, rather than gore, and add nicely to the film. The R-rated theatrical cut also is available on DVD.

 

 

Video and Audio:

 

The video is a mixed bag that necessitates a lot of explanation. Twohy uses many filters and several unique point-of-view images throughout the film. When the three suns are up, different filters are used to represent their colors, and for the most part, that is handled well. There are also POV shots showing Riddick's "shine job" night vision, and shots from the creatures' eyes that resemble television snow until you realize you can see their targets moving.

 

As for the actual image quality itself, generally, the brighter the scene, the better the picture — in the scenes shot under the white sun, for instance, edges are sharp and clear. But in many of the darker scenes, particularly under the blue sun in the early part and in the nighttime that follows, there is often a surprising amount of grain, even considering the relatively low budget. There is also a certain amount of faint, but obvious digital noise and a lack of crispness in some scenes, particularly ones heavy on the blacks, blues and reds. And with much of the film taking place in the Pitch Black, these are real problems, made all the more disappointing by the contrast with the flawless picture of some scenes — which begs the question, is the disc a poor effort, or is the technology bringing out the flaws in the print itself? Adding injury to insult, there is a surprising amount of print damage for a recent film.

 

The picture is like the little girl with the curl — when it is good, it is very, very good (witness the scene where, under the blue sun, a character is splashed in red blood), but when it is bad, it is horrid. Well, not horrid, but disappointing, to say the least. This is a beautiful film in many ways, and the overall picture quality doesn't do it justice. Anamorphic widescreen is approx. 2.35:1.

 

The Dolby Digital 5.1 mix is solid, using just enough surround for the music and effects to offer a total environment, with the occasional panning effect. Another disappointment: The dialogue is sometimes soft, though whether that is the mix or some of the actors' performances is hard to tell - Diesel has a low, raspy voice that particularly makes his early spoken narration very hard to understand, and Mitchell and Hauser are at times soft-spoken. Bass is, however, steady throughout.

 

The disc also contains a DTS 5.1 track, English captions and French subtitles.


 

Special Features:

 

The headline extras are a pair of audio commentaries, one with director Twohy and stars Diesel and Hauser, the other with Twohy, producer Tom Engelman and visual effects supervisor Peter Chiang.

 

The on-screen talent commentary is unexceptional. The director and two stars are recorded together, but the banter is regrettably bland, with some humor and anecdotes, but many noticeable pauses. The participants get a little punchy toward the end, and even at one point talk about the absurdity of the entire process. The production commentary is more active, but highly technical. It's interesting because of the many effects shots, but if you're not an SFX geek, it drags in plenty of places. Like the film, both commentaries suffer a bit from soft-spoken participants.

 

The longest and strangest non-commentary extra is the "Raveworld Pitch Black'Event," a 20-minute clip of poor-quality rave video mixed with poor-quality clips from the movie. The techno music is catchy, but the mix is bland and the video (pretty people dancing and DJs hard at work) quickly goes tiresome. What all this has to do with the film is anyone's guess, outside of the strange explanation that scrolls Star Wars style at the beginning of the clip. This gets a lot of votes online as one of the most pointless extras in the short history of DVD, and with good reason.

 

The stock extras are a four-plus minute EPK-type featurette and two widescreen trailers, the green-band one for general audiences and the somewhat more intense and violent red-band restricted one - which, if you have sharp eyes, regrettably gives away the fate of one of the major characters.

 

Also included are some brief, but interesting, production notes, cast and director biographies/filmographies and some recommendations (no trailers) and an ad for the Universal DVD newsletter.


 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/fourandahalfstars.gif – An outstanding example of a check-your-brain-at-the-door modern B movie.
Video: – At its best, a crisp A, at its worst, a grainy, noise-ridden C.
Audio: – There aren't enough bombastic scenes to make this a showpiece disc, and the low dialogue can be a problem.
Features: – Quantity, but not always quality.
Overall: – An A- film gets a B- treatment on DVD with nice extras, but somewhat disappointing picture and sound.

 

Conclusion:

 

The film was a sleeper that performed unspectacularly at the box office, but seems to have found a cult following in the home-video market - a benefit, because it grows more enjoyable with every viewing. The disappointment of the DVD, however, is that a beautifully shot movie is hindered by some questionable image quality. Nonetheless, Twohy's sharp direction and Diesel's fine acting make this a nail-biter that will keep you on the edge of your seat. If you prefer the "science" in your sci-fi, try The Arrival, but if it's action and scares you want, you won't go wrong with Pitch Black.

 

 

(Reviewed on a Panasonic 27" TV with a Sony DVP-CX850D DVD player and Bose Lifestyle 25 Series II speakers.)

 

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Re-Animator: Millennium Edition
Movie Reviews
Written by Peter West   
Saturday, 04 May 2002 03:17

Re-Animator: Millennium Edition DVD Review

 

Written by This e-mail address is being protected from spambots. You need JavaScript enabled to view it "Danger Seeker"

 

 DVD released by Elite Entertainment

 

 

Directed by Stuart Gordon

Writing by Stuart Gordon and William Norris, based on a story by H.P. Lovecraft

1985, Region 1 (NTSC), 86 minutes, Not rated

 

 

Starring:
Jeffrey Combs as Herbert West
Bruce Abbott as Dan Cain
Barbara Crampton as Megan Halsey
David Gale as. Doctor Carl Hill
Robert Sampson as Dean Alan Halsey
Gerry Black as Mace, Miskatonic Security Guard

 

 

Movie:

 

Herbert West is a medical student. While studying in Vienna, he discovers a re-animating formula that brings dead tissue back to life. After the death of his mentor Dr. Grüber, West enrolls in Miskatonic University in the small town of Arkham, Massachusettes. Answering an advertisement for a roommate from Dan Caine, a fellow medical student, West moves in with Caine. This was much to the dismay of Megan Halsey, Caine's girlfriend, who also happens to be the Dean's daughter. Caine soon gets involved up to his neck in West's outlandish experiments with drastic consequences. The movie evolves into the funniest gore fest to have ever hit the screen!

 

 

Review:

 

In 1967 I bought a paperback called "Dragon and other Macabre Tales", a collection of H.P. Lovecraft stories. At my tender age and the way times were back then, I was terrified reading them. The one story that stuck in my mind was "Herbert West: Re-Animator". Never had the written word left such a impression on me! When I saw that a modern day movie had used that story as it's basis, I wondered "How could Lovecraft be translated to the screen?" Well, they did it, and it was wilder than anything old H.P. could have dreamed of back in the late 1920's. There is one mistake Mr. Gordon makes in his commentary: "Herbert West: Re-Animator" is not out of print. You can purchase this and other H.P. Lovecraft stories from Arkham House, the publishing house dedicated to his memory. Now for those of you that have actually read this entire review, and who are over the age of 18, I have a special treat for you here! ENJOY.

 


 

Video and Audio:

 

The film is presented in a new THX Approved Digital Master, 16 x 9 Anamorphic WideScreen (Aspect Ratio 1.85:1). I own the two previous versions Elite released and this one is far superior to the previous releases. Colors are strong and vivid. This is the best the movie has looked since it was originally shown, maybe better.

 

The DVD has 4 seperate soundtracks: DTS 5.1 Digital Surround, Dolby Digital 5.1 Surround, Isolated 5.1 Dolby Digital Music Score and Original 2.0 Mono mix. Not having DTS equipment I did not get to enjoy the that track, but I did listen to the others and they are incredible. The isolated soundtrack is enjoyable, as background music to do chores, homework, etc. Nothing has been spared audio-wise on this release!

 

 

Special Features:

 

  • Animated Motion Menus
  • New Video Interview with Fangoria Editor Tony Timpone
  • 16 Extended Scenes (16 x 9 Anamorphic)
  • Deleted Scene (16 x 9 Anamorphic)
  • Theatrical Trailer (16 x 9 Anamorphic)
  • 5 TV Spots
  • Music Discussion with Composer Richard Band (4 scenes)
  • Multi-Angle Story Boards (3 scenes)
  • Behind-The-Scenes Photo Gallery
  • Biographies and Filmographies of Cast and Filmmakers

 

Here's where Elite has truly provided everything the casual or rabid fan of this movie can enjoy! New video interview with Director Stuart Gordon and Producer Brian Yuzna, where they discuss everything from the inseption of the project, it's evolution into the movie (it was originally planned to be a series), to how everything was brought together for the filming. A new video interview with Composer Richard Band, where he confirms the long rumored foundation in Hitchcock's Psycho. A video interview with writer Dennis Paoli, where he discusses how the original Lovecraft story was adapted to the screenplay. I found these all to be interesting and enjoyable!

 

 

Commentaries include director Stuart Gordon, who gives a running blow by blow of the entire project. He talks about the actors, sets, and how effects were done. Overall, it is a Re-Animator lesson from the man who made it. The second commentary features Producer Brian Yuzna and Actors Jeffrey Combs, Robert Sampson, Barbara Crampton and Bruce Abbott. This is in my opinon a Re-Animator party/reunion! Laughs abound between the cast members as they reminise their roles. A running joke is Barbara Crampton refering to her scene on the gurney with David Gale's head as her mother's favorite part of the movie! One of the best commentaries out there!

 

What more could a fan of this movie ask for? I personally believe that Elite has given this movie a presentation that is unparalleled by any DVD studio release for a cult horror film. There are six hours of extras on disc two alone. I can not think of any DVD that can rival this! Vini Bancalari, President of Elite Entertainment, has provided Re-Animator fans with THE definitive version, as well as the best value dollar for dollar a DVD special edition can be! 

 

 

Grades:

 

 
Movie: http://www.horrortalk.com/Assets/fivestars.gif
Video: http://www.horrortalk.com/Assets/fivestars.gif
Audio: http://www.horrortalk.com/Assets/fivestars.gif
Features: http://www.horrortalk.com/Assets/fivestars.gif
Overall: http://www.horrortalk.com/Assets/fivestars.gif

 

 

 

 

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